This essay walks through the full build: why voice agents are deceptively hard, how the turn-taking loop works, how I wired together STT, LLM, and TTS into a streaming pipeline, and how geography and model selection made the biggest difference. Along the way, you can listen to audio demos and play with interactive diagrams of the architecture.
The cultural side-effects were extraordinary. Bubble-era money funded some of the most ambitious, beautiful, and outright weird creative projects Japan has ever produced. Architecture, graphic design, magazines, vehicles, music, fashion, animation—everything was touched by the sense that budgets were infinite and ambition should match. It’s no coincidence that this period overlaps with the golden age of Japanese game development, or that Fuji TV was handing late-night airtime to young experimentalists, or that someone thought a four-hour TV program about Western computer games was a good idea.
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Глеб Палехов (редактор отдела БСССР)
Nature, Published online: 24 February 2026; doi:10.1038/s41586-026-10298-w，推荐阅读搜狗输入法下载获取更多信息
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